A master's thesis at the College of Fine Arts at the University of Basrah discussed supremacy and its reflection in contemporary world ceramics.
The thesis presented by the researcher Sawsan Muhammad Hamza Ahmed included the subject of the suprematism movement, one of those most rebellious trends in the avant-garde arts, which were founded by the Russian artist Malevich and had important achievements in the world of plastic art.
The thesis aims to show the role of the Suprematism movement, which gave plastic art its own identity to distinguish it from the rest of the other artistic activities, as it moves away from objectivity and simulates realism, symbols, and connotations towards everything that is merely embodied in geometric form and pure form.
The thesis concluded the vision of supremacy and its reflection on the geometric shapes that gave them a sublime aesthetic value, and among them was the desire for self-realization through exclusivity in pure abstract formal innovation.
